Ludelphia Bennett may be blind in one eye, but she can still put in a good stitch. Ludelphia sews all the time, especially when things go wrong. But when Mama goes into labor early and gets deathly ill, it seems like even quilting won't help. That's when Ludelphia decides to do something drastic—leave Gee's Bend for the very first time. Mama needs medicine that can only be found miles away in Camden. But that doesn't stop Ludelphia. She just puts one foot in front of the other.
What ensues is a wonderful, riveting and sometimes dangerous adventure. Ludelphia weathers each challenge in a way that would make her mother proud, and ends up saving the day for her entire town.
Set in 1932 and inspired by the rich quilting history of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful, satisfying story of a young girl facing a brave new world.
So she's understandably apprehensive when her connoisseur's eye spots something off about a multimillion-dollar Jackson Pollock painting at the Palm Springs Brethwaite Museum, her current employer.
Alix is already under fire, the object of a vicious online smear campaign. Now the Brethwaite's despicable senior curator, obsessed with the "maximization of monetized eyeballs," angrily refuses to take action. But it's only after a hooded intruder attacks Alix in her hotel room that the real trouble begins. And when FBI Special Agent Ted Ellesworth—with whom Alix had inadvertently, but thoroughly, botched a budding relationship just a year prior—turns up to investigate the Pollock, Alix knows she's about to have her hands full.
In her third mystery, Alix London must see through mirages in the desert to uncover the knotted history of the painting—and save herself in the process.